AQuiet Evening of Dance William Forsythe + / - 1h40 avec entracte ma 11 février | 20h me 12 février | 20h + rencontre avec l'équipe je 13 février | 20h - Une soirée pas si tranquille -

The Griffin Theater at The Shed, New York, NY. Years later he is engaged to direct the Frankfurt Ballet 1984-2004 and after its dissolution he achieves to create The Forsythe Company 2005-present. About William Forsythe's work and his influence on modern dance - read below. he's legendary internationally for his work with the Ballet city 1984-2004 and therefore the Forsythe Company 2005-present. William Forsythe born December 30, 1949 is an American dance and choreographer resident in Frankfurt am Main, is known for his work with the Ballet Frankfurt 1984-2004 and The Forsythe Company 2005-2015. Johnson has danced in over 50 tours on five continents, was a soloist with the National Ballet of Canada, and principal dancer in William Forsythe's Ballet Frankfurt. William Forsythe was born in New York in 1949, but only started dancing seriously in his later teenage years in college. For a half century, choreographer William Forsythe has explored the boundaries of classical and contemporary movement, collaborating with dancers, musicians, designers, and other artists to create some of the most innovative work in contemporary performance. william forsythe choreographic process william forsythe choreographic process DAVID P. FORSYTHE. William Forsythe born December 30, 1949 in New York City is an American dancer and choreographer resident in Frankfurt am Main in Hesse, Germany. He moved to Germany to . . In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. When you hear that you will be working with William Forsythe you might panic or feel nervous because he is such a brilliant choreographer. Tickets . william forsythe biography. For a half century, choreographer William Forsythe has explored the boundaries of classical and contemporary movement, collaborating with dancers, musicians, designers, and other artists to create some of the most innovative work in contemporary performance. Though, he is most commonly considered as a 'neoclassical' choreographer, mainly because the foundation of his pieces is constructed with kind of vocabulary from classical ballet . He was born in New York in 1949. Recognized for the integration of ballet and visual arts, which displayed . Chris Hellman Center for Dance 455 Franklin Street San Francisco, CA 94102. Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the . Don't let scams get away with fraud. Active in the field for more than 45 years, his work has been featured in the repertoire of every major ballet company in the world. crystal light appletini discontinued. 447 Words2 Pages. Tickets . O ne of the world's greatest dance-makers, William Forsythe, 72, has redefined classical ballet over a career of more than 40 years. Dancer/Choreographer/Artist. has been active in the field of choreography for over 45 years. His work is frequently begun in notions about light rather than music, as he reveals in Conversation on Lighting with Jennifer the finest artists, he teaches the dance audience new skills for looking at things. . William Forsythe Choreographer, Quintett, William Forsythe, born December 30, 1949, New York, New York, American choreographer who staged audaciously groundbreaking contemporary dance performances during his long association with the Frankfurt Ballet and later with his own troupe, the Forsythe Company. Spotlight August Bournonville's La Sylphide. His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. He is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. glasser images lawsuit; cards like cathars' crusade. He moved to Germany to join. William Forsythe's program at the Shed, "A Quiet Evening of Dance," which opened on Friday, takes that to another level. Educator Forsythe is a frequent guest lecturer at universities and cultural institutions. Born in 1949, native New Yorker William Forsythe danced with the Joffrey Ballet and was influenced by New York City Ballet's neoclassical guru George Balanchine. He is known internationally for his work with the Ballett Frankfurt 1984-2004 and The Forsythe Company2005-present. He just treats you like you're his friend. Feb. 18, 2007. For two decades he ran the . kid of darkness ring; William Forsythe was born Dec thirty, 1949 in big apple City [1] is associate degree yankee dancer and creator resident in city am Main in Hessen. 7. William Forsytheborn December 30, 1949 in New York City is an Americandancerand choreographerresident in Frankfurt am Mainin Hessen. "William Forsythe is an internationally celebrated choreographer whose expansive and groundbreaking approach to his discipline has upended the rules of choreography and dance, inspiring and influencing countless other artists in the process. . "Dance … that leaves audiences elevated, energized, overcome …" Filmmaker Forsythe's short film "ALIGNIGUNG," created for Paris Opera Ballet, features former Forsythe Company dancer Riley Watts and breakdancer Rauf "Rubberlegz" Yasit. William Forsythe born June 7, 1955 is an American actor. Dancer Insight Working with William Forsythe. Drawing upon the theories of Rudolf Laban, which Forsythe has carried forward in what he calls Improvisation Technology, he vitally expands the movement vocabulary. But he took an almost 20-year hiatus from what he describes as "working within the academy . Recognized for the integration of ballet and visual arts, which displayed both abstraction and forceful theatricality, his vision of choreography as an organizational . 10. edward jordan aretha franklin son father. We got the inside scoop from Company dancers Misa Kuranaga and Patrick Yocum on what it is like to work with the renowned choreographer William Forsythe. Created for the Paris Opera Ballet in 2016, "Blake Works I" offers all the intellectual stimulation of '80s-era Forsythe but with a free and easy, inviting energy. WILLIAM FORSYTHE . Forsythe's deep interest in the fundamental principles of organization has led him to . Explore. ← Previous View All Next → The mark of a sophisticated choreographer—like the brilliant American choreographer William Forsythe—is the ability to produce compelling dance that doesn't require a code or deep knowledge to . In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts . Explore his singular style and undeniable energy through the eyes . Oct. 13, 2019. William Forsythe New York City, 1949 is related to contemporary dance, because his choreographic work displays an assorted exploration of modern dance codes. Today, the dancers in front of him are his own ensemble The Forsythe Company, based in Dresden and Frankfurt am Main, Germany, which Forsythe founded in 2005. William Forsythe born June 7, 1955 is an American actor. Welcome to New City Moving and Storage 55 Years Experience never trust a gambling man my twisted soul st ambrose university meal plans. He has also played recurring characters in television series such as Boardwalk Empire 2010 . William Forsythe is a ballet master, a specialist in the field of modern dance, a researcher of the specifics of human body movement and improvisation. He has also played recurring characters in television series such as Boardwalk Empire 2010 . Report at a scam and speak to a recovery consultant for free. He also choreographed for his high school's musicals. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. William Forsythe born December 30, 1949 in New York City is an American dancer and choreographer resident in Frankfurt am Main in Hesse, Germany. At 69, Mr. Forsythe has been finding ballet delightful since he first went to a class at 17. Born in 1949, native New Yorker William Forsythe danced with the Joffrey Ballet and was influenced by New York City Ballet's neoclassical guru George Balanchine. There's no tension. EMPLOYMENT / LABOUR; VISA SERVICES; ISO TRADEMARK SERVICES; COMPANY FORMATTING In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. WILLIAM FORSYTHE Raised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. . William Forsythe is arguably the most important living choreographer to advance the grammar of ballet. Julia Rowe and Joseph Walsh in William Forsythe's "Blake Works I," which features the music . how did claudia gordon became deaf. William Forsythe is known for taking ballet to extremes, but now the choreographer and former artistic director of the Frankfurt Ballet and The Forsythe Company has turned his focus from professional dancers to the public. William Forsythe's 'A Quiet Evening of Dance'. William Forsythe A Quiet Evening of Dance OCT 11 - 25, 2019 Inventive choreographic works set to the sounds of breath and music Tickets Limited tickets may be available via phone at 646 455-3494. William Forsythe's program at . He is best known for his portrayal of tough-guy, criminal characters, and has starred in films such as Once Upon a Time in America 1984, Raising Arizona 1987, Dick Tracy 1990, Gotti 1996, The Rock 1996, and The Devil's Rejects 2005. For two decades, Johnson has staged Forsythe's work with dance companies . Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. Published June 8, 2022 Categorized as andy's dopey transposition cipher . He followed his grandfather musically as he was a violin prodigy. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. October 13, 2019. Mr. Forsythe has created a setting — not completely silent, but nice and. While many of his older pieces are done by ballet companies around the world, his recent, more theatrical works are performed exclusively by his company. Forsythe played bassoon, violin, flute, and sang in choruses. O ne of the worldâ s greatest dance-makers, William Forsythe, 72, has redefined classical ballet . He is best known for his portrayal of tough-guy, criminal characters, and has starred in films such as Once Upon a Time in America 1984, Raising Arizona 1987, Dick Tracy 1990, Gotti 1996, The Rock 1996, and The Devil's Rejects 2005. william forsythe biography. The American-born choreographer William Forsythe-who was the Director of the celebrated Frankfurt Ballet from 1984-2004 and now heads his own Frankfurt-based independent ensemble, The Forsythe Company-is recognized internationally as one of the world's foremost choreographers and widely credited with revitalizing classical ballet for the twenty-first century. William Forsythe has pushed the boundaries of ballet over the course of a nearly five-decade career. The intricate phrasing of the dancers' breath is the primary accompaniment for a distillation of the geometric origins of classical ballet. It will explode your ballet prejudices. One of the pleasures of a life filled with dance is the way, at the end of the day, a performance can force the mind to change course, to quiet down. Forsythe has taught classical dancers to generate their own material by applying structural devices to their familiar technique. united states dollars; australian dollars; euros; great britain pound gbp; canadian dollars; emirati dirham; newzealand dollars; south african rand; indian rupees He got his choreographic education in Florida. William Forsythe has been active in the field of choreography for over 45 years. Wondering who is William Forsythe, the choreographer credited with revolutionizing ballet? The evening is performed by seven of Forsythe's most. He has also designed choreography in collaboration with more than a dozen prominent dance organizations, among which are The Russian Ballet Theater, The Pennsylvania Ballet and the Festival de . AS an American who has lived in Germany for more than 30 years, the choreographer William Forsythe has grown accustomed to his role as a foreigner. Life and Career. William Forsythe has given his field a daring new direction and scope. Forsythe is a master choreographer, but The Barre Project's brilliance is in large part down to its central. This exhibition features a 16mm film entitled Soft Materials by Daria Martin, an American artist living and working in London, and a large five-screen video installation entitled whenever on on on nohow on / airdrawing by German artist Peter Welz in collaboration with celebrated dancer/choreographer William Forsythe. Recognized for the mixing of ballet and visual . He was born in New York in 1949. Chris Hellman Center for Dance 455 Franklin Street San Francisco, CA 94102. Home; Our Services. He is known internationally for his work with the Ballet Frankfurt 1984-2004 and The Forsythe Company 2005-2015. William Forsythe is considered as a continuator of Balanchine's work, because of his way of working with classical ballet from a contemporary aesthetical perspective. he's legendary internationally for his work with the Ballet city 1984-2004 and therefore the Forsythe Company 2005-present. . However, when you actually work with him, he is the nicest person. He creates this amazing atmosphere to engage dancers to work with him. In bringing together the work of these artists, curator Bill Arning offers . 6. William Forsythe, born December 30, 1949, New York, New York, American choreographer who staged audaciously groundbreaking contemporary dance performances during his long association with the Frankfurt Ballet and later with his own troupe, the Forsythe Company. His body of work, which displayed both abstraction and forceful theatricality, deconstructed the classical ballet repertoire . Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. It is short but magnificently satisfying, and thrilling in its low-key virtuosity. Inventor Forsythe collaborated on an award-winning interactive computer application, Improvisation Technologies A Tool for the Analytical Dance Eye, which is used as a teaching tool by . And it will make you feel more alive. His best known works include In the Middle, Somewhat Elevated . . His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. William Forsytheis a ballet master, a specialist in the fieldof modern dance, a researcher of the specifics of human body movement and improvisation. William Forsythe born December 30, 1949 is an American dance and choreographer resident in Frankfurt am Main, is known for his work with the Ballet Frankfurt 1984-2004 and The Forsythe Company 2005-2015. Roman, who was mentored by choreographer William Forsythe for nearly two decades, has created his own repertoire with his former personal company, 2+. A 34-year veteran of the dance field, Jill Johnson choreographs for film, television, and stage. William Forsythe was born Dec thirty, 1949 in big apple City [1] is associate degree yankee dancer and creator resident in city am Main in Hessen. Backstory. william forsythe biography. William Forsythe — A Quiet Evening of Dance4 - 6 OctoberRead more Forsythe is undoubtedly one of the foremost choreographers of. He is known internationally for his work with the Ballet Frankfurt 1984-2004 and The Forsythe Company 2005-2015. Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. Forsythe's Style Forsythe is a current . Do Ankle Monitors Record Conversations, Crumpler Funeral Home Raeford, Nc Obituaries, 2016 Polaris Axys 800 Rebuild Kit, Charlie's Pizza Washington Mills, Easter Egg Hunt 2021 San Jose, Police Activity North Phoenix, Relief Factor Commercial Actors 2021, Jobs For 14 Year Olds Durham, Nc, Gmat Test Waiver Request Letter Sample, David Scott Real Sports Biography, Coconino County Jail Telmate, Best Longboard Waves Costa Rica, Which Of The Following Is Not A Roadway Risk, HomeAgenda A Quiet Evening of Dance Théâtre & Danse; A Quiet Evening of Dance. juin 28, 2021. William Forsythe. Dans A Quiet Evening of Dance, William Forsythe réalise une brillantissime traversée de l’histoire de la danse académique, en remontant jusqu’à son origine : le ballet de cour sous le règne de Louis XIV. En première partie, le chorégraphe William Forsythe's 'A Quiet Evening of Dance'. Photo by Bill Cooper. Arts Centre, Melbourne. 17 October 2018. William Forsythe’s A Quiet Evening of Dance’. Photo by Dorothea Tuch. There are few, if any, other people in dance as bold and electrifying as American-born choreographer William Forsythe. His re-imagining of classical dance since assuming the helm at Stuttgart Ballet in 1976 and later across 20 years with Ballet Frankfurt, has shown us that ballet can be so much more than tutus and nostalgic formalism. However, with A Quiet Evening Of Dance, presented as part of the Melbourne International Arts Festival, Billy’ dissolves the silos and gently reminds us that dance is less about its history and its labels than it is about the body in motion. The delightful irony here is that this return to physical purity is achieved with an act of counter-intuitive cross-breeding. Indeed, Quiet Evening is a graceful, sometimes playful marriage of the refined grammar of ballet and the athletic, almost competitive vigour of hip hop. Throughout, the dancers flip from the grand old stages of aristocratic Europe to the streets of the new world. Yet, rather than being a crude mash-up or an exercise in tick box updating, it reveals, with breathtaking simplicity and extraordinary technique, the universal language of the body. William Forsythe’s A Quiet Evening of Dance’. Photo by Bill Cooper. This is not Forsythe’s most striking choice, though, because for much of the evening, this work is exactly what it says it is quiet. Stripped of the cues of music and the pyrotechnics of production, the dance unfolds largely in near silence and beneath a very simple lighting grid. It is also clear that it’s not about anything. There is no theme being explored. Just bodies moving. Indeed, it is not until the final vignette, after a hundred minutes, that we see more than three dancers on stage. But let’s not give all the credit to Forsythe because the seven dancers of Company Forsythe are simply superb. Their transitions from the lithe and sinewy grace of classical ballet to the angles and isolations of hip hop are seamless. Furthermore, these folks can clearly “count”. Working without sound and light cues, and often not even looking at one another, they move with a surety and fluidity that is never disjointed. In addition, admirers of beautiful lines will find a lot to love in A Quiet Evening Of Dance. William Forsythe’s A Quiet Evening of Dance’. Photo by Dorothea Tuch. The technical rigour and creative elasticity on display here underscores once again why Forsythe is so revered. Quiet Evening is evidently refined, high end art and yet, by fusing it with the muscularity of street dance, it effectively obliterates the distinction. Instead, we have human beings. Whether it’s the palace of Versailles or a sidewalk in The Bronx, bodies move and flow in unison, and the cultural artefact we call dance is shown for what it is — namely, a tribal/ceremonial practise rooted in the unifying, animal fact of flesh and bone. By Paul Ransom of Dance Informa. WilliamForsythe tells Sarah Crompton in her program interview that his goal is ‘to make people see ballet better’ but it is immediately apparent in A Quiet Evening of Dance that in order to make Marchés de 5 à 13 heures Boulevard Carteret et place Luton. Déchetteries Reims-Croix Rouge, Reims-Europe et Tinqueux, ouvertes de 9 à 18 heures. La déchetterie de Sillery est accessible de 14 à 18 heures. Celle de Saint-Brice reste partiellement fermée. UCPA Sport Station I Grand Reims Piscine de 7 heures à 8 h 30 et de 11 h 30 à 22 heures. Tarifs à partir de 4 € pour les -12 ans et 4,80 € pour les adultes. Adresse 5, boulevard Jules-César. Renseignements sur UCPA Sport Station I Grand Reims Patinoire horaires d’ouverture, de 20 heures à minuit. Tarifs 4 € pour les résidents du Grand Reims sur présentation d’un justificatif, les -12 ans et les familles ; gratuit pour les -3 ans prix de la location de patins exclus. Piscines Château d’eau, Louvois, Orgeval fermées ; Thiolettes de 19 h 30 à 21 h 30 et Talleyrand de 7 à 12 heures. Bibliothèques et médiathèques Médiathèque Jean-Falala ouverte de 13 à 19 heures ; Croix-Rouge, de 14 à 18 heures ; Holden de 16 à 19 heures ; Saint-Remi de 16 à 18 heures ; Chemin Vert de 15 h 30 à 18 heures ; Carnegie de 14 à 19 heures ; Laon-Zola de 14 à 18 heures et de 16 à 18 heures jeunesse. Bibliothèque pour tous au 8, rue des Élus, ouverte de 14 à 18 heures. Pass sanitaire obligatoire. Entrée libre. Réunion publique sur les travaux pour le futur pont de Witry À partir de février 2022, se dérouleront des travaux pour reconstruire ce pont datant de 1935, vétuste et inaccessible depuis fin 2016 pour les camions de plus de 19tonnes. Le projet apportera plus de sécurité, plus de voies, des trottoirs spacieux et des pistes cyclables et entrera en service fin 2022. Des circuits de déviation sont prévus. À 18 h 30, Maison de quartier Épinettes, 5, rue du Général-Corbineau. Réunion d’échange de capsules À partir de 14 h 30 au café L’Annexe, 2 bis, rue des Telliers. Pass sanitaire requis. Conférence Revoir les dessins de Cranach à Colmar » Le musée Unterlinden de Colmar accueille jusqu’au 7 février 2022, les Cranach de Reims pour aborder la question du portrait. Par Magali Haas, commissaire de l’exposition, responsable des collections d’arts graphiques du musée Unterlinden de Colmar, et en présence de Marie-Hélène Montout-Richard, conservatrice en chef au musée des Beaux-Arts. À 18 h 30, médiathèque Jean-Falala. Tarifs 8 €/10 €/3 €. Réservation au 03 26 35 36 10, pass sanitaire obligatoire. Théâtre La Méthode Champenoise expliquée aux gens À partir de 12 ans. Martine Blancbaye, conférencière à ses heures perdues, aime le champagne ses bulles fines, la joie qu’il met dans le cœur et ses vignerons. Elle a concocté une conférence pétillante où vous découvrirez l’histoire de ce nectar et les secrets de sa fabrication. À 19 h 30, Le Cellier, rue de Mars. Tarifs 12 € et 10 €. Réservation au 03 26 24 58 20. Danse contemporaine A Quiet Evening of Dance / William Forsythe Pièce en deux actes et cinq chapitres, A Quiet Evening of Dance signe le grand retour de William Forsythe. Avec sept interprètes dont l’étonnant b-boy Rubberlegz, le chorégraphe américain y éclaire les liens entre baroque, classique, hip-hop et contemporain, le temps d’une soirée peut-être moins calme qu’annoncée. À 19 heures, Manège de Reims, 2 bld du Général Leclerc. Tarifs 23 €/16 €/11 €/6 €. Réservation https // Théâtre La nuit juste avant les forêts » De Bernard-Marie Koltès porté par Jean-Christophe Folly, dans une mise en scène de Matthieu Cruciani. Tout public dès 14 ans. À 20 heures, La Comédie, 3 chaussée Bocquaine. Tarifs 23 €/16 €/11 €/8 €/6 €. Réservation https //
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Reviewer Maryam Philpott. When revolutionary choreographer William Forsythe says A Quiet Evening of Dance he means exactly that, quiet. For the entire first act there’s almost no music at all
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WilliamForsythe - A Quiet Evening of Dance Danse Marquer comme favori (connexion) Promouvoir l 'évènement. jeu. 04 juil. 19. 20h00. 40,00 € Opéra Comédie. Pour A Quiet Evening of Dance, le chorégraphe retrouve avec gourmandise une technique classique qu’il aura longtemps désossée, fracturée, déstructurée. Et il affirme tranquillement : « Mon but Accessibility helpSkip to navigationSkip to contentSkip to footer Cookies on FT Sites We use cookies for a number of reasons, such as keeping FT Sites reliable and secure, personalising content and ads, providing social media features and to analyse how our Sites are used. Sign InSubscribeHomeWorldSectionsWorld HomeGlobal EconomyUKUSChinaAfricaAsia PacificEmerging MarketsEuropeWar in UkraineAmericasMiddle East & North AfricaAustralia & NZMost ReadLiz Cheney loses primary after leading Republican charge against Donald TrumpScientists vow to bring Tasmanian tiger back from extinctionRussia blames sabotage’ for explosions in northern CrimeaGerman recession fears deepen as economy is hit by perfect storm’US justice department opposes release of Donald Trump search affidavit USCompaniesSectionsCompanies HomeEnergyFinancialsHealthIndustrialsMediaProfessional ServicesRetail & ConsumerTech SectorTelecomsTransportMost ReadNew UK lender plans 50-year fixed rate mortgagesWarren Buffett’s Berkshire Hathaway makes big bet on US lender Ally FinancialHedge fund Elliott sold Twitter stake before Elon Musk backed away from dealAndreessen Horowitz backs WeWork co-founder’s property ventureHow a banker fighting a Hong Kong ban broke a Wall Street recordTechMarketsSectionsMarkets HomeAlphavilleMarkets DataCapital MarketsCommoditiesCurrenciesEquitiesFund ManagementTradingMoral MoneyETF HubCryptofinanceMost ReadLive news updates from August 16 Crimea rocked by explosions, Philips chief van Houten to step downAlex Mashinsky took control of Celsius trading strategy months before bankruptcyWarren Buffett’s Berkshire Hathaway makes big bet on US lender Ally FinancialGas markets leap on both sides of Atlantic as traders search for suppliesVanguard active funds suffer bloodiest first-half on recordClimateOpinionMost ReadAnshu Jain, banker, 1963—2022 China’s chip breakthrough poses strategic dilemmaLiberals must overcome their aversion to conflictIt’s not always the perpetrator who pays for sexual harassment at workThis is not the way to choose Britain’s next prime ministerWork & CareersSectionsWork & Careers HomeBusiness School RankingsBusiness EducationEntrepreneurshipRecruitmentBusiness BooksBusiness TravelMost ReadBusiness Book of the Year 2022 — the longlistMichelle O’Neill What I won’t allow is the unravelling of the Good Friday Agreement’Life & ArtsSectionsLife & Arts HomeArtsBooksFood & DrinkFT MagazineHouse & HomeStyleTravelFT GlobetrotterMost ReadIs the UK housing market at a turning point?The Real Special Relationship by Michael Smith — spies like usAn architectural guide to TorontoDua Lipa, Cynthia Nixon, Karla Welch and others share their summer skincare tipsGaming’s loot box — the slippery slope of paying for rewardsHTSI Your guide to a disrupted world William Forsythe Dancer Add to myFT Digest Add this topic to your myFT Digest for news straight to your inbox Wednesday, 21 April, 2021 Thursday, 30 November, 2017 Tuesday, 19 September, 2017 Wednesday, 19 April, 2017 Thursday, 5 January, 2017 Tuesday, 27 September, 2016 Wednesday, 10 August, 2016 Monday, 28 September, 2015 Switch to UK EditionTop sectionsHomeGlobal EconomyUKUSChinaAfricaAsia PacificEmerging MarketsEuropeWar in UkraineAmericasMiddle East & North AfricaAustralia & NZUSUS EconomyUS CompaniesUS Politics & PolicyEnergyFinancialsHealthIndustrialsMediaProfessional ServicesRetail & ConsumerTech SectorTelecomsTransportTechAlphavilleMarkets DataCapital MarketsCommoditiesCurrenciesEquitiesFund ManagementTradingMoral MoneyETF HubCryptofinanceClimateColumnistsThe FT ViewThe Big ReadLexObituariesLettersBusiness School RankingsBusiness EducationEntrepreneurshipRecruitmentBusiness BooksBusiness TravelArtsBooksFood & DrinkFT MagazineHouse & HomeStyleTravelFT GlobetrotterProperty & MortgagesInvestmentsPensionsTaxBanking & SavingsAdvice & CommentNext ActHTSISpecial ReportsFT recommendsLexAlphavilleLunch with the FTFT GlobetrottertechAsiaMoral MoneyFTfmNewslettersVideoPodcastsNews feedFT LiveFT ForumsBoard Director ProgrammemyFTPortfolioToday's Newspaper ePaperCrosswordOur AppsHelp CentreSubscribeSign In
WilliamForsythe invente encore. Après quelques années de pause, il revient avec une douce soirée de danse. Hommage coloré au classique qui sait assimiler la virtuosité du contemporain, quand elle sert la perfection. A quiet evening of dance est une pureté chorégraphique en deux temps. Une pour le silence, la musicalité des corps et de
William Forsythe 1949 has been active in the field of choreography for over 50 years. With an initial focus on the organizational underpinnings of academic ballet, Forsythe’s work has extended his choreographic discourse into the field of visual arts over the last 25 years. His expanded notion of classical ballet practice has been adopted by companies and in educational settings worldwide. BiographyRaised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. Over the next seven years, he created new works for the Stuttgart ensemble and ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York, and San Francisco. In 1984, he began a 20-year tenure as director of the Ballet Frankfurt, where he created works such as Artifact 1984, Impressing the Czar 1988, Limb’s Theorem 1990, The Loss of Small Detail 1991, A L I E / N ACTION 1992, EidosTelos 1995, Endless House 1999, Kammer/Kammer 2000, and Decreation 2003.After the closure of the Ballet Frankfurt in 2004, Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. Works produced with this ensemble include Three Atmospheric Studies 2005, You made me a monster 2005, Human Writes 2005, Heterotopia 2006, The Defenders 2007, Yes we can’t 2008/2010, I don’t believe in outer space 2008 and Sider 2011. Forsythe’s works developed during this time were performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballet Dresden, England’s Royal Ballet and the Paris Opera Ballet. More recently Forsythe has created original works for the Paris Opera Ballet Blake Works I, English National Ballet Playlist Track 1,2, Boston Ballet Playlist EP, as well as A Quiet Evening of Dance produced by Sadler’s Wells Theatre London and The Barre Project Blake Works II created for the digital received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Award 1988, 1998, 2004, 2007 and London’s Laurence Olivier Award 1992, 1999, 2009. Forsythe has been conveyed the title of Commandeur des Arts et Lettres 1999 by the government of France and has received the Hessischer Kulturpreis/ Hessian Culture Award 1995, the German Distinguished Service Cross 1997, the Wexner Prize 2002 the Golden Lion of the Venice Biennale 2010, the Samuel H Scripps / American Dance Festival Award for Lifetime Achievement 2012 and the German Theater Award FAUST for Lifetime Achievement 2020.Forsythe has been commissioned to produce architectural and performance installations by architect-artist Daniel Libeskind Groningen, 1989, ARTANGEL London,1997, Creative Time New York, 2005, and the SKD – Staatliche Kunstsammlungen Dresden 2013, 2014. These Choreographic Objects, as Forsythe calls his installations, include among others White Bouncy Castle 1997, City of Abstracts 2000, Nowhere and Everywhere at the Same Time No. 2 2013, Black Flags 2014, Underall 2017 and Unsustainables 2019. His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial New York, 1997, Louvre Museum 2006, Pinakothek der Moderne in Munich 2006, Tate Modern London, 2009, MoMA New York 2010, Venice Biennale 2005, 2009, 2012, 2014, MMK – Museum für Moderne Kunst Frankfurt, 2015, 20th Biennale of Sydney 2016, ICA Boston 2011, 2018, Museum Folkwang 2019 and the Museum of Fine Arts, Houston 2020.In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. His 1994 computer application Improvisation Technologies A Tool for the Analytical Dance Eye, developed with the ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide. 2009 marked the launch of Synchronous Objects for One Flat Thing, reproduced, a digital online score developed with The Ohio State University that reveals the organizational principles of the choreography and demonstrates their possible application within other disciplines. Synchronous Objects was the pilot project for Forsythe's Motion Bank, a research platform focused on the creation and research of online digital scores in collaboration with guest an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York.
Aquiet evening at the Onassis Stegi.When the music stops, Onassis Stegi dances. William Forsythe, the American choreographer who “electrified” ballet, outdone himself and created entire worlds using nothing but the human body, space and time.Four works by the great choreographer make for a pleasurable evening as the bodies of the outstanding dancers
ホーム映画 2021年11月02日 12時02分 公開|エンタメラッシュ編集部プレスリリース 株式会社パルコのプレスリリース 2022年2月 ウィリアム・フォーサイス 『THREE QUIET DUETS』 2022年5月 ピナ・バウシュ 『春の祭典』 / ジャメイン・アコニー&マル―・アイラド 『common ground[s]』 株式会社パルコ(本部:東京都渋谷区、代表取締役兼社長執行役員:牧山浩三、以下パルコ)は、2022年、現代パフォーミングアーツ、バレエ、コンテンポラリー・ダンス界の最重要アーティスト達による新作ダンス2作品の来日公演を行います。 先ず2022年2月は、巨匠ウィリアム・フォーサイス振付の『THREE QUIET DUETS』。今なおバレエ、コンテンポラリー・ダンス界の最先端を行く舞踊家フォーサイス待望の近年最も評価の高い傑作群の初来日公演となります。 そして、2022年5月は、舞踊家ピナ・バウシュの『春の祭典』。舞踊演劇ダンス・シアターの巨星ピナ・バウシュ振付による伝説の代表作で、ストラヴィンスキーによる近代バレエ音楽の最高傑作といわれる『春の祭典』。今回はアフリカ13か国から結集した精鋭ダンサー32名が踊り、迫力の群舞を見せます。さらに元ピナ・バウシュ・ヴッパタール舞踊団で、同団の主要パートを歴任したマル-・アイラド、アフリカ現代舞踊の母ジャメイン・アコニーによる新たな作品『common ground[s]』 読み方コモン・グラウン[ズ]も同時上演します。 《 本件の報道に関するお問い合わせ 》 株式会社 る・ひまわり TEL:03-6277-6622 2022年2月 ウィリアム・フォーサイス 『THEREE QUIET DUETS』 ウィリアム・フォーサイスは、45年以上にわたり振付家として活躍し、その作品は、バレエを21世紀のダイナミックなアートフォームへと方向転換させたことで知られます。1984年にフランクフルト・バレエ団のディレクターに就任し、わずか3年で世界トップレベルのカンパニーに成長させ、その鋭い現代的感覚と芸術性で“バレエ界のウルトラ・モダン”と称されます。1992年と1999年にはローレンス・オリビエ賞、2002年にはニジンスキー賞を受賞しています。2005年にはフォーサイス・カンパニーを設立し、翌2006年の来日公演でも、「安定に抗う極限の技能」「舞踊界において突出している」(朝日新聞/石井達朗氏)と高く評価されています。 今なお舞台芸術の最先端を行く巨匠フォーサイスが、今最も信頼を置く最高のダンサー達5名と見せる新たな極地―究極の静謐なダンス。フォーサイスの振付を極限まで堪能できる、近年最も評価の高い傑作群の初来日公演を、東京、京都、福岡の3都市で上演します。 2022年5月 ピナ・バウシュ 『春の祭典』 / ジャメイン・アコニー&マル―・アイラド 『common ground[s]』 ピナ・バウシュは、2009年に逝去した後の日本でも、コンテンポラリー・ダンス、バレエ、演劇など幅広い分野で、今なお大きな影響力を誇る不世出の舞踊家です。その数ある作品の中でも最も激しいダンスと、舞台に敷き詰められた2トン以上の土の上で踊り続けるダンサー達の迫力のパフォーマンスで知られる代表作が「春の祭典」です。この楽曲は、“音楽の天才”ストラヴィンスキーによる近代バレエ音楽の最高傑作と言われ、バレエ、クラシック界のみならず、広く一般に知られており、世界中のカンパニーによる上演が後を絶たず、特にピナ・バウシュ振付版75年初演は、パリ・オペラ座・バレエ団など世界最高峰のカンパニーによっても上演されるなど、その評価を確固たるものにしています。 ダンスと演劇を融合した「ダンス・シアター」の巨星ピナ・バウシュの伝説の代表作「春の祭典」を、今回は、アフリカ13か国から結集した精鋭ダンサー32名が踊る、全舞台ファン必見の最重要作です。加えて、ピナ・バウシュ・ヴッパタール舞踊団の主要パートを歴任したマルー・アイラドと、アフリカ現代舞踊の母ジャメイン・アコニー振付・主演の新作『common ground[s]』 読み方コモン・グラウン[ズ]も同時上演します。 公演概要 PARCO presents ウィリアム・フォーサイス 『THREE QUIET DUETS』 来日公演 A Sadler’s Wells production William Forsythe presents Three Quiet Duets Duo2018 & Catalogue from A Quiet Evening of Dance William Forsythe Neighbours Part I Brigel Gjoka & Rauf “RubberLegz” Yasit in collaboration with William Forsythe 東京公演日程 2022年2月4日金 19:00 開演 2022年2月5日土 14:00 開演 2022年2月6日日 14:00 開演 会場 Bunkamuraオーチャードホール 振付= ウィリアム・フォーサイス 出演= Brigel Gjoka、Riley Watts、Jill Johnson、島地保武、Rauf “RubberLegZ” Yasit 公演ウェブサイト 公式ハッシュタグ #ウィリアムフォーサイス来日公演 入場料金全席指定・税込S席=12,000円 A席=9,800円 U-25チケット=6,000円(観劇時25歳以下対象、要身分証明書、当日指定席券引換/「パルステ!」、チケットぴあにて前売販売のみの取扱い) 一般発売開始=2021年11月27日(土) チケット取扱い PARCO STAGE スマホアプリ「パルステ!」 パルステ で検索! チケットぴあ イープラス ローソンチケット Bunkamura Bunkamuraチケットセンター03-3477-9999(オペレーター対応1000-1700) オンラインチケットMYBunkamura チケットカウンター(Bunkamura1階1000-1800) 東急シアターオーブチケットカウンター(渋谷ヒカリエ2F1100-1800) <チケットに関するお問合せ> サンライズプロモーション東京 0570-00-3337平日1200~1800 ※当面の間は月~金1200~1500までの営業となります)<公演についてのお問合せ> パルコステージ 03-3477-5858(時間短縮営業中) 東京公演主催・企画制作・招聘 株式会社パルコ 製作 サドラーズ・ウェルズ・シアター 後援 アメリカ大使館、ブリティッシュ・カウンシル、TOKYO FM、InterFM897 制作協力 株式会社サンライズプロモーション東京 地方公演京都 2022年2月9日水 ロームシアター京都メインホール 1900 開演 福岡 2022年2月12日土 北九州芸術劇場大ホール 1400 開演 公演概要 PARCO presents ピナ・バウシュ 『春の祭典』 / ジャメイン・アコニー&マル―・アイラド 『common ground[s]』 来日公演 A Pina Bausch Foundation, École des Sables & Sadler’s Wells production Pina Bausch / The Rite of Spring Germaine Acogny & Malou Airaudo / common ground[s] Co-produced with Théâtre de la Ville Paris, Théâtre de la Ville Luxembourg, Holland Festival Amsterdam, Festspielhaus St. Pölten. The project is funded by the German Federal Cultural Foundation, the Ministry of Culture and Science of the German State of North Rhine-Westphalia, and the International Coproduction Fund of the Goethe-Institut, and kindly supported by the Tanztheater Wuppertal Pina Bausch. 日程:2022年5月 ※日程詳細は順次発表予定。 会場:東京Bunkamuraオーチャードホール 主催・企画制作・招聘 株式会社パルコ 製作 サドラーズ・ウェルズ・シアター 後援 ドイツ連邦共和国大使館、TOKYO FM、InterFM897 制作協力 株式会社サンライズプロモーション東京 その他詳細は下記公演ウェブサイトにて順次発表予定 公式ハッシュタグ #ピナバウシュ来日公演 〈特別寄稿〉 ピナ・バウシュ & ウィリアム・フォーサイス 作家・ヤサぐれ舞踊評論家 乗越たかお 数あるコンテンポラリー・ダンスの振付家の中でも、巨人と呼ぶにふさわしい二人、ピナ・バウシュとウィリアム・フォーサイスの作品が上演される。 この二人は、いったい何がスゴイのだろうか? ピナ・バウシュはタンツテアター(演劇的ダンス)という手法で、演劇とダンスの垣根を超えた振付家だ。舞台上で踊る人々の感情の機微が、観客の胸にスッと入って突き刺さる。しかもダンスなので、どのシーンも美しい。ダンスには、こんなことまでできるのか…… と世界中のダンス関係者を驚愕させたのである。とくに今回の『春の祭典』は初期の傑作で、約2トンの本物の土を舞台に敷き詰めて踊る。元はロシアの大地の神へ生け贄を捧げる作品だが、ピナは「生け贄を集団が選び出す」という現代的なテーマとして描いた。さらに今回は生前のピナが率いたヴッパタール舞踊団の指導のもと35名のアフリカ人ダンサーが踊る。画期的な挑戦で、ネットの有料配信は世界中で話題になった。 一方のフォーサイスは「バレエを脱構築させた」と言われる振付家である。バレエではセンターにあるべきとされる体軸や重心を自在に変化させ、バレエの新しい領域を切り開いていった。さらに作品も知的でソリッドな興奮に満ちている。今回の『THREE QUIET DUETS』はそんな彼の新境地ともいえる作品である。ストリートダンスのダンサーも加わり、かつタイトルの通り不思議な「静寂(QUIET)」と詩情が漂う。フォーサイス作品をよく知る人も、きっと刮目するだろう。 二人に共通するのは、様々なアートの領域横断的な刺激に満ちた作品という点である。コロナ禍で海外からの招聘公演が困難な昨今、巨匠達の新しい作品・新しい試みを観られる希有な公演だ。見逃すな! 〈乗越たかお プロフィール〉 作家・ヤサぐれ舞踊評論家。株式会社ジャパン・ダンス・プラグ代表。06年にNYジャパン・ソサエティの招聘で滞米研究。07年イタリア『ジャポネ・ダンツァ』の日本側ディレクター。現在は国内外の劇場・財団・フェスティバルのアドバイザー、審査員など活躍の場は広い。著書は『コンテンポラリー・ダンス徹底ガイドHYPER』(作品社)、『どうせダンスなんか観ないんだろ!?』(NTT出版)、『ダンス・バイブル』(河出書房新社)、『アリス 川畑文子物語』(講談社)など多数。
WilliamForsythe (Création costumes), Simon Lambert (Régie générale et son), Helen Lainsbury (Régie de la compagnie), Amelia Hawkes (Régie lumières) Créé avec Brigel Gjoka, Jill Johnson, Christopher Roman, Parvaneh Scharafali, Riley Watts, Rauf « RubberLegz » Yasit, Ander Zabala Musique : Morton Feldman - Nature Pieces for Piano No.1.
A LA MAISON DE LA DANSE 8 avenue Jean Mermoz Lyon 8ème GJOKA, YASIT, FILIZTEK Neighbours Conçu comme un diptyque dont la première partie fut présentée lors de la dernière Biennale de la danse, Neighbours est une collaboration entre deux artistes au sommet de leur discipline. Brigel Gjoka, danseur, chorégraphe international et adepte des techniques d’improvisation, manie avec élégance la danse classique et contemporaine tandis que Rauf RubberLegz’ Yasit, star mondiale des danses urbaines, est réputé pour créer avec son corps des formes inimaginables. De leur rencontre en 2018 pour la création de William Forsythe A Quiet Evening Of Dance, ils décident de poursuivre ensemble l’exploration de leurs différences. Le mercredi 21 septembre à 20h Tarifs Adultes 23€, Ce 29€. -18 ans 11€ Ce 16€ Vos billets sont à retirer le soir de la représentation à La Maison de la Danse
Withits bare stage and low-key lighting and sound, with coloured gloves and shoes its sole ostentation, William Forsythe’s A Quiet Evening of Dance (even the title feels reticent) is the opposite They say it’s the quiet ones you have to watch out for. With its bare stage and low-key lighting and sound, with coloured gloves and shoes its sole ostentation, William Forsythe’s A Quiet Evening of Dance even the title feels reticent is the opposite of showy. But pay it close attention and it reveals a kind of introverted virtuosity that leaves you one opens with an intricate duet for Parvaneh Schafarali and Ander Zabala, its small steps and swift swerves as soft, beautiful and exacting as the birdsong on its soundtrack. There follows an astonishing duet by Jill Johnson and Christopher Roman who, accompanied only by the sound of our own hushed coughs and rustles, articulate detailed sequences of moves built on the intersection between the idealised geometries of ballet pointed foot, angled leg and the anatomical realities of the body the pivots, swivels and folds of shoulder, hip, knee or elbow. Undramatised yet utterly fascinating, it feels like a choreographic secret, offered freely, without sound returns, Morton Feldman’s atonal plinks forming a sparse background to more idiosyncratic danced episodes; one solo keeping the arms and hands close to the face, another showing, without fuss or flash, just how extraordinary b-boy Rauf “RubberLegz” Yasit earned his one ends with a reprise of a 2015 duet, to birdsong again, performed by Brigel Gjoka and Riley Watts. Beginning casually enough, it builds towards convoluted-yet-always-clear spins, skitters and knots, the two dancers echoing each other as if giving different expression to the same underlying two is a consummately crafted suite of dances, each ending quietly rather than climactically, and all beautifully phrased to courtly music by Jean-Philippe Rameau. There’s a gentle theatricality. Johnson and Roman come across as a couple, she preoccupied, he rather particular. There’s humour in Yasit’s lock-limbed, floor-bound interruption of an elegantly upright duet; sadness elsewhere, with bodies weighted as if by inner style, staging and effect are now far more conventional, we can almost see through these surfaces to the strange, spare structures of act one, lying beneath like a choreographic skeleton. It has been a rare and revelatory evening. At Sadler’s Wells, London, until 6 October. QjU6mP.
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  • a quiet evening of dance william forsythe